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Music from
Deliver Me from Nowhere Soundtrack
2025-54 songs-7.4K views
Music from
Deliver Me from Nowhere Soundtrack
2025-54 songs-7.4K views
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Songs Timeline
Songs Timeline
Playing in the background while Bruce enters a bar/restaurant to find his father and tell him it is time to go home.
The music begins distantly during an argument between Bruce's parents; the volume increases as Bruce performs the song live on tour to end the tour.
Playing in the car as Bruce's friend Matty drops him off at his "home sweet home" rental house after returning from the tour.
A radio host introduces the song as a hit from The River album; Bruce listens for a moment before turning the radio off.
Bruce performs this Little Richard cover live on stage at the Stone Pony club in Asbury Park.
Heard in the background at a diner where Jon Landau is recounting a story about the band's experience playing in Hamburg.
Bruce watching TV a home and flipping through the channels.
Bruce watching a scene from the 1973 movie "Badlands"
Bruce begins writing and recording this song at home on a 4-track Portastudio
Bruce records the demo version at home on a four-track recorder.
Bruce records this song while reflecting on a childhood memory of his father taking him to look at a large house on the edge of town.
Bruce hums and records the melody while spending time with Faye’s daughter, Haley, at his house
Bruce and his assistant Mike listen to the playback of this recording, noting its "wonky" but right-sounding quality.
Heard during a recording/mixing scene at home.
Bruce and Mike listen to the track with a short echo effect, which Bruce notes sounds like it's "from the past."
Bruce admitting he sabotages his relationship with Faye. Matt urges him to commit and stop "half-assing" the effort if she is worth it.
Part of the demo tape Bruce sends to Jon Landau.
Initially played as a demo for Jon Landau; Bruce notes the title came from a Paul Schrader script. It is later recorded as a high-energy rock song with the full band in the studio.
Demo snippet on the tape Bruce sends to Jon Landau.
Bruce performs this song at a club while Faye watches from the audience.
Bruce is shown listening to this record at high volume in his room.
A powerful full band studio version is recorded at the Power Station.
A full band studio rehearsal of the song is attempted but rejected by Bruce for losing its "rawness".
The song plays as Bruce deals with personal isolation.
Plays during a pivotal conversation between Jon Landau and Jimmy Iovine regarding Bruce’s decision to release the Nebraska demos over the full-band studio recordings.
Plays during the unconventional home mastering and vinyl cutting process.
Bruce records this final track for the album, which he describes as being about a dream of his father
Bruce and Jon Landau sit together in silence listening to this record after Bruce expresses feeling "buried" and "lost."
Playing on a diner radio while Bruce eats breakfast during his drive across the country to California
The film concludes with Bruce performing this song live with the full E Street Band during the epilogue and end credits.
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